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TRICI VENOLA
I draw irreplaceable things
ABOUT THE DIGITAL ART
THE SKETCHBOOKS
Book 34: PRANAM & TOTEM
Book 33: BIKERS IN EPHESUS
Book 32: IN THE KINGDOM OF URARTU
Book 31: ANCIENT CITIES / DEPARTING FRIENDS
Book 30: MARRAKECH
Book 28: HOT CROSSES
Book 27:ABOUT FACE
Book 26: PAPAZOGLU HAN
Book 25: ACTUAL SIZE
Book 23: Ch Ch CHANGES
Book 22: SEA PALACE
Book 21 A: HASANKEYF
Book 21 B: TOMB WITH A VIEW
Book 20: DISPLACED
Book 19: CORNUCOPIA
Book 18: SHIPWRECKED
Book 17: KÜÇÜK AYASOFYA
Book 16: AFTER DIYARBAKIR
Book 15: AMAZING FACE
Book 14: RETURN TO ISTANBUL
Book 7: ASHES OF ROSES
Book 6: ROUGH PASSAGE
Book 8: WOMAN WAILING
TRICI VENOLA
I draw irreplaceable things
Navigation Menu
Navigation Menu
ABOUT THE DIGITAL ART
THE SKETCHBOOKS
Book 34: PRANAM & TOTEM
Book 33: BIKERS IN EPHESUS
Book 32: IN THE KINGDOM OF URARTU
Book 31: ANCIENT CITIES / DEPARTING FRIENDS
Book 30: MARRAKECH
Book 28: HOT CROSSES
Book 27:ABOUT FACE
Book 26: PAPAZOGLU HAN
Book 25: ACTUAL SIZE
Book 23: Ch Ch CHANGES
Book 22: SEA PALACE
Book 21 A: HASANKEYF
Book 21 B: TOMB WITH A VIEW
Book 20: DISPLACED
Book 19: CORNUCOPIA
Book 18: SHIPWRECKED
Book 17: KÜÇÜK AYASOFYA
Book 16: AFTER DIYARBAKIR
Book 15: AMAZING FACE
Book 14: RETURN TO ISTANBUL
Book 7: ASHES OF ROSES
Book 6: ROUGH PASSAGE
Book 8: WOMAN WAILING
why upside down