A Süphan on Lake Van

A Suphan for Celal -©2016 TriciVenola— Project patron Celal Ögmen grew up in this village a few decades ago. He came to Istanbul as a teenager. He stood outside a prosperous fish restaurant in Kumkapi: Kalamar, saying in to the tourists in all their languages, “Come here and eat fish.” Now he owns the restaurant and the one next door, educates his daughter in New York, is a cornerstone of local industry and a patron of the arts. One brother is a judge, the other a barrister in New York. You can do anything with brains and moxie.

A Suphan for Celal -©2016 TriciVenola— Project patron Celal Ögmen grew up in this village a few decades ago. He came to Istanbul as a teenager. He...
Select options
Plein air drawing of a village near A Suphan
A Süphan on Lake Van Framed Print
A Suphan for Celal -©2016 TriciVenola— Project patron Celal Ögmen grew up in this village a few decades ago. He came to Istanbul as a teenager. He stood outside a prosperous fish restaurant in Kumkapi: Kalamar, saying in to the tourists in all their languages, “Come here and eat fish.” Now he owns the restaurant and the one next door, educates his daughter in New York, is a cornerstone of local industry and a patron of the arts. One brother is a judge, the other a barrister in New York. You can do anything with brains and moxie.
A Suphan for Celal -©2016 TriciVenola— Project patron Celal Ögmen grew up in this village a few decades ago. He came to Istanbul as a teenager. He...
Add to cart
Plein air drawing of ancient carving of Adam and Eve at Aghtamar
Adam and Eve at Aghtamar Framed Print
2016 Adam & Eve at Holy Cross Aghtamar Island Lake Van 915-921 CE -©2016 TriciVenola — This last date refers to when they were carved. Note that Adam and Eve were carved sans genitalia. Despite damage by vandals, both still have curiously benign expressions. Down in the lower right corner is a an eviscerated female figure. The vandals left the snake alone, perhaps for professional courtesy.
2016 Adam & Eve at Holy Cross Aghtamar Island Lake Van 915-921 CE -©2016 TriciVenola — This last date refers to when they were carved. Note tha...
Add to cart
Adam and Eve at Akdamar
2016 Adam & Eve at Holy Cross Aghtamar Island Lake Van 915-921 CE -©2016 TriciVenola — This last date refers to when they were carved. Note that Adam and Eve were carved sans genitalia. Despite damage by vandals, both still have curiously benign expressions. Down in the lower right corner is a an eviscerated female figure. The vandals left the snake alone, perhaps for professional courtesy.
2016 Adam & Eve at Holy Cross Aghtamar Island Lake Van 915-921 CE -©2016 TriciVenola — This last date refers to when they were carved. Note tha...
Select options
Plein air drawing of interior of Holy Cross Church at Aghtamar
APOSTLES AT HOLY CROSS
Apostles at Holy Cross Aghtamar - Lake Van -©2016 TriciVenola— Inside the church, the art looks much more recent. Also it's unfinished, and the interior shows signs of fire damage. The pale shape at the centre is a window. To the left is St Peter, to the right is St Paul. Ss Matthew and Mark appear to St Peter’s left, and Ss Luke and John to St Paul’s right. Other apostles flank them. Above the centre window, the artist had outlined the border, but hadn't finished painting it in.
Apostles at Holy Cross Aghtamar - Lake Van -©2016 TriciVenola— Inside the church, the art looks much more recent. Also it's unfinished, and the in...
Add to cart
Plein air drawing of ancient carving with traditional Turkish woman
ARABIC WRITING & SALIHA

700-year old Arabic writing carved in wall stones at Ulu Camii -Saliha -©2016 TriciVenola Had to draw Saliha this lovely woman on the bus. — I don’t think anyone had ever drawn a picture of her before, and she was happy. The Arabic writing is carved in a stone wall inside the mosque on the side of Kef Kalesi, in Adilcevaz on the Western shores of Lake Van. It and the mosque are about 700 years old.

700-year old Arabic writing carved in wall stones at Ulu Camii -Saliha -©2016 TriciVenola Had to draw Saliha this lovely woman on the bus. — ...
Add to cart
Plein air drawing of Artos Mountain with trees
Artos Mountain and Kavak Trees Framed Print
Artos Mountain -Kavak Trees -Waiting for the ferry to Akdamar -Snow-streaked mountains behind thrilling sheaves of poplar trees  -And then the pale sheet of the sea... a common sight around here. 3 May -©2016 TriciVenola — All over Van are these stands of white poplars with the white-streaked mountains behind. The lake is so vast it looks like a sea. As I drew this, the man in the picture walked up and down the rows, planting his field. I was waiting for the only boat to Aghtamar. Since there was no tourism, there were no boats, but I lucked out: a large Turkish family had booked one, and they invited me to come along.
Artos Mountain -Kavak Trees -Waiting for the ferry to Akdamar -Snow-streaked mountains behind thrilling sheaves of poplar trees  -And t...
Add to cart
Plein air drawing of traditional Turkish women with girl
BAHAR & HER MOTHER

Bahar and her mother 24 April- Derya Hanife -©2016 TriciVenola— At the family enclave, a tree-lined grassy enclosure with houses and sheep. Here also is Hanife the first time I saw her, drawn from life with her granddaughter Derya. The whole Buday family knocked themselves out to make me welcome. Bahar’s mother had decked her out in this red dress and shoes. Adorable!

Bahar and her mother 24 April- Derya Hanife -©2016 TriciVenola— At the family enclave, a tree-lined grassy enclosure with houses and sheep. Here...
Add to cart
Bible Stories in Stone

Bible Stories in Stone ©TriciVenola 2016

Few could read, so these figures proclaimed the Holy Word to all who looked on them. Absolute delight carved in red tufa, these figures are about 3/4 life-size and protrude about 4 inches from the stone blocks from which they are carved. One pictures the cartoons on paper or canvas fixed to the surface of blocks that stick out farther than those above and below. They would have covered the back of the canvas with pigment and traced the drawings from the front. And then up on ladders, hacking and then tapping away, finalizing with passion and skill, patiently creating the vivid images in the tedious medium. Armenian art is all based on circles. Its testimony to the expertise of the artists that these figures carved on stone blocks are all so curvilinear. And those borders!

Bible Stories in Stone ©TriciVenola 2016Few could read, so these figures proclaimed the Holy Word to all who looked on them. Absolute delight carved...
Select options
Plein air drawing of ancient carving of bible stories at Aghtamar
Bible Stories in Stone Framed Print

Bible Stories in Stone ©TriciVenola 2016

Few could read, so these figures proclaimed the Holy Word to all who looked on them. Absolute delight carved in red tufa, these figures are about 3/4 life-size and protrude about 4 inches from the stone blocks from which they are carved. One pictures the cartoons on paper or canvas fixed to the surface of blocks that stick out farther than those above and below. They would have covered the back of the canvas with pigment and traced the drawings from the front. And then up on ladders, hacking and then tapping away, finalizing with passion and skill, patiently creating the vivid images in the tedious medium. Armenian art is all based on circles. Its testimony to the expertise of the artists that these figures carved on stone blocks are all so curvilinear. And those borders!

Bible Stories in Stone ©TriciVenola 2016 Few could read, so these figures proclaimed the Holy Word to all who looked on them. Absolute delight carv...
Add to cart
Plein air drawing of the Big Boukoleon Arch
Big Boukoleon Arch Framed Print
BIG BOUKOLEON ARCH ©2011 by Trici Venola. This fabulous old arch looks about ready to collapse, which is why we preserved it here. Every brick is accurate, just as they were fitted together in the ninth century when this palace was built. Once rising grandly out of the sea, it now fronts on a highway. Burned by Crusaders in 1204 and truncated by the Sultan in 1871 to make room for the Orient Express Railroad, this grizzled survivor is still beautiful. Up top, weather has desiccated the remains of a window into the shape of a lion, an echo of the ones that used to stand on its vanished balconies. Those are in the nearby Archeological Museum. This one is now more appropriate. Drawn in full searing sunlight with ants crawling on me, cats slumbrous in the afternoons, during 30 hours in July, and well worth it. During the long sessions, the whoosh of cars on the highway behind me took on the sound of the waves. 35 x 70 cm, drafting pens on rag paper, this drawing was commissioned by Donna Perkins of the Boreal Forest in Alberta.
BIG BOUKOLEON ARCH ©2011 by Trici Venola. This fabulous old arch looks about ready to collapse, which is why we preserved it here. Every brick is acc...
Add to cart
Plein air drawing of portals at the Boukoleon Palace
Boukoleon Portals Framed Print
BOUKOLEON PORTALS © 2011 by Trici Venola. This magnificent 9th-century Byzantine Palace once rose out of the Marmara Sea, part of the city walls of Istanbul when it was Constantinople. It was faced with brilliantly colored marble and embellished with statues. Burned by Crusaders in 1204, the Palace structure was occupied anyway by the local populace, until it was dynamited in 1871 to build the Orient Express Railway. Later, around 1962, the city filled in the harbor and built the highway. This scrim, The Big Arch, a pillar colonnade and some piles of brickwork are all that remain. They still have an awesome presence. This drawing took 40 hours. It’s 35 x 70 cm, done with drafting pens on rag paper, commissioned by Donna Perkins of the Boreal Forest in Alberta, a lady as interested as I am in documenting these vanishing foundations of Western culture.
BOUKOLEON PORTALS © 2011 by Trici Venola. This magnificent 9th-century Byzantine Palace once rose out of the Marmara Sea, part of the city walls of I...
Add to cart